Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.
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LOT NO 214

STOCK NO 63720

Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm

Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.

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