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Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed
Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed
Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed
Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed
Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed
Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed
Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed
Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed
Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed
Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed
Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed
Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed

LOT NO 1159

STOCK NO 149526

Charles Clay of The Strand & St James, London-Early 18th century 8-day walnut longcase clock c1720, with a flat caddy top (caddy missing) and blind frets beneath, later glazed panels to the sides and a break arch hood door with attached reeded pilasters, long trunk and conforming trunk door with beading to the edge, on a short plinth with attached skirting, break-arch brass dial with cast spandrels, herringbone engraving to the edge and a silvered boss to the arch inscribed "Charles Clay Inventor of the Machine Watches, London", with a silvered chapter displaying Roman numerals, five minute Arabic's, minute and quarter-hour tracks, matted centre with seconds dial and date aperture, original steel fretted hands, dial pinned directly to a turned baluster five pillar movement with rack striking, striking the hours on a bell. With weights and pendulum.
Charles Clay is a well documented London maker, originally coming from Yorkshire, he was primarily famous for making musical organ clocks. In 1716 he applied for a patent in respect of a repeating musical watch mechanism which he claimed he invented, this was opposed by Daniel Quare and the London clock makers company in 1717, however he still laid claim to the invention, and stated it, as here, on many of his clocks. Several of his musical organ clocks are to be found in prestigious collections and museums. Charles Clay died in 1740, his son Charles (II) became clockmaker to George II.

Dimensions:
Height: 230cm Length/Width: 53cm Depth/Diameter: 23cm

https://www.davidduggleby.com/files/images/auctions/GUID/44e0aed7-7e3f-49df-9ae0-4344f6ce15ca.jpg"

Bidding Details

SOLD

£800

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Further Information & Condition Report

Duggleby Auctioneers presents a remarkable piece by Charles Clay of The Strand & St James, London. This early 18th-century 8-day walnut longcase clock from around 1720 features exquisite craftsmanship. The clock boasts a flat caddy top, blind frets, glazed panels, a break arch hood door with reeded pilasters, a long trunk, and a trunk door with beading. It stands on a short plinth with attached skirting, adding to its elegance.

The brass dial of this clock is a true work of art, with cast spandrels, herringbone engraving, and a silvered boss proudly inscribed with "Charles Clay Inventor of the Machine Watches, London." The dial includes a silvered chapter with Roman numerals, five-minute Arabics, minute and quarter-hour tracks, a matted center with a seconds dial and date aperture, and original steel fretted hands. The dial is connected to a turned baluster five-pillar movement with rack striking, which chimes the hours on a bell.

Charles Clay, a renowned London maker originally from Yorkshire, was well-known for crafting musical organ clocks. In 1716, he applied for a patent for a repeating musical watch mechanism that he claimed to have invented. Despite opposition from the London clock makers company in 1717, Clay persisted in claiming the invention, as seen on several of his clocks, including this masterpiece. His musical organ clocks can be found in prestigious collections and museums, showcasing his exceptional talent. Charles Clay passed away in 1740, leaving behind a legacy of fine craftsmanship and innovation.


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