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Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall

LOT NO 8547

STOCK NO 162454

Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900

Provenance: Kirkham Hall

Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition
Provenance: From Kirkham Hall

Dimensions:
Height: 63cm 

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Bidding Details

SOLD

£2,900

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Further Information & Condition Report

Attributed to a Follower of Claude Michel Clodion, this exquisite set of four Italian carved white marble figures depicts child satyrs as musicians. Each finely crafted figure portrays a seated putto-faun with youthful features, small goat’s legs, and cloven feet. The charming ensemble showcases the putti-fauns playing rustic instruments such as a syrinx (Panpipes), a flute, a tambourine, and clappers.

Dating back to circa 1900, these sculptures stand on integral waisted square plinths, adding to their elegance. The provenance of the pieces can be traced back to Kirkham Hall, lending a touch of history and prestige to these delightful artworks.

Drawing inspiration from the rustic god Pan and his followers, these putti-fauns capture the essence of late 19th-century classical revival. Perfect for Grand Tour collectors, the instruments depicted symbolize Pan’s pastoral music. The intricate carving and composition of these figures exemplify the enduring appeal of bacchic subjects in the Italian neoclassical tradition. Don't miss the chance to own these captivating pieces, available at Duggleby Auctioneers.



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