BACK

For best browsing experience use the back button to return to your place on the previous page

Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall

LOT NO 8547

STOCK NO 162454

Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900

Provenance: Kirkham Hall

Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition
Provenance: From Kirkham Hall

Dimensions:
Height: 63cm 

Alert Me

You have set up a SMS alert for this lot, you will be messaged 15 minutes before the lot is auctioned.

https://www.davidduggleby.com/files/images/auctions/GUID/0588beb9-e8df-4923-abe0-a519156767d8.jpg"

Bidding Details

SOLD

£2,900

Forgotten my password

Register

Further Information & Condition Report

Attributed to a Follower of Claude Michel Clodion, this exquisite set of four Italian carved white marble figures depicts child satyrs as musicians. Each finely crafted figure portrays a seated putto-faun with youthful features, small goat’s legs, and cloven feet. The charming ensemble showcases the putti-fauns playing rustic instruments such as a syrinx (Panpipes), a flute, a tambourine, and clappers.

Dating back to circa 1900, these sculptures stand on integral waisted square plinths, adding to their elegance. The provenance of the pieces can be traced back to Kirkham Hall, lending a touch of history and prestige to these delightful artworks.

Drawing inspiration from the rustic god Pan and his followers, these putti-fauns capture the essence of late 19th-century classical revival. Perfect for Grand Tour collectors, the instruments depicted symbolize Pan’s pastoral music. The intricate carving and composition of these figures exemplify the enduring appeal of bacchic subjects in the Italian neoclassical tradition. Don't miss the chance to own these captivating pieces, available at Duggleby Auctioneers.



Something like this to sell?

Similar Products

After André Bizette-Lindet - pair of Art Deco style bronze rabbits of graduating size, bea...

Estimate £200-300

After Salvador Dali (Spanish 1904-1989): Reflection, bronze figure with hand covering the ...

Estimate £200-300

After Salvador Dali (Spanish 1904-1989): Dreams, bronze figure with head resting on hand H39cm

Estimate £200-300

John Huggins FRBS (British 1938): 'Girl with Hoop', bronze sculpture upon black lacquered ...

Estimate £300-500

Bronzed sculpture modelled as a female torso, upon a square plinth, H39cm

Estimate £80-120

Abrstact stone sculpture, of geometric shapes with a central circular gap, raised upon a s...

Estimate £80-120

After Alberto Giacometti - Femme Venise bronze upon a stepped marble base, overall H50cm

Estimate £150-250

After Amedeo Modigliani - bronze sculpture modeled as a female face, upon a square base, o...

Estimate £150-250

After Milo - bronze modelled as a crouching panther, upon a marble base, H14cm, L 40cm

Estimate £200-250

After Milo - bronze figure of a man in perfect balance, bearing signature and foundry mark...

Estimate £120-160

After Milo - bronze figure of a diver, upon a two tone marble base, bearing signature and ...

Estimate £100-150

After Angelo Basso - art nouveau style bronze of a dancing lady, on marble base, H36cm

Estimate £150-250

After Angelo Basso - art nouveau style bronze of a lady caught in the wind, on marble base, H31cm

Estimate £150-250

After Pierre Collinet - bronze modelled as a semi naked female figure, seated upon a chair, H27cm

Estimate £100-200

After Jean Patou - art deco style bronze formed as a seated nude lady, H24cm

Estimate £150-250

Bronze figure, modelled as a nude woman removing her shirt, H17cm

Estimate £100-200

Early Victorian rosewood and mother of pearl inlaid sewing, jewellery, and writing casket ...

Estimate £250-400

Bronze model of an Egyptian sphynx, W28cm

Estimate £100-200

After Jules Moigniez - bronze figure of an eagle poised to attack, upon green marble base,...

Estimate £300-500

After Giambologna (Italian 1529-1608)- Bronze figure of Mercury holding the caduceus, with...

Estimate £150-200

George III mahogany knife box, of serpentine form with shell patera detail to cover, with ...

Estimate £80-120

After Franz Bergmann - bronze figure of a carpet seller H20cm

Estimate £200-300

After the antique – a bronze bust modelled on the Artemision Bronze depicting the Greek go...

Estimate £300-500

Novelty single inkwell in the form of a Boars head, H14cm W18cm

Estimate £50-100

After Pierre-Jules Mêne - bronze figure of a calling stag, upon marble base, overall H35cm

Estimate £250-350

Bronze figure group, modelled as two male hares boxing, upon a naturalistic base, with fou...

Estimate £200-400

Cold painted bronze formed as an alert Pheasant, W30cm

Estimate £150-250

After D H Chiparus - Art Deco style bronze figure of an Egyptian dancer on stepped marble ...

Estimate £150-200

19th century bronze model of artist Peter Paul Rubens, on hardwood base, H39cm

Estimate £100-200

Giltwood and gesso wall bracket of leaf design with serpentine shelf W31cm and a smaller...

Estimate £50-100

Aristide Louis Fontana (Italian 1834-1907): Grand Tour marble bust of a Roman emperor, pro...

Estimate £1,000-2,000

Brass and horn novelty letter opener, or paper knife, formed as a lizard with glass eyes, L25cm

Estimate £50-100

Victorian papier mache tea caddy inlaid with mother of pearl and gilt on compressed bun feet W20cm

Estimate £80-120

Victorian mahogany brass bound campaign style decanter box, with twin brass countersunk ha...

Estimate £300-400

19th century fireside three piece fireside companion, H69cm; together with three further f...

Estimate £50-100

Pair of 19th century copper coal buckets, twin carrying handles and with liners, on scroll...

Estimate £50-100

Two 19th century fireside companion sets, one four piece and one three piece, the stand an...

Estimate £50-100

Pair of 19th century brass coal buckets, twin carrying handles and with liners, on scroll ...

Estimate £50-100

Christofle 'Tresor d'Hildesheim' facsimile gilt metal two handled cup decorated with masks...

Estimate £150-200

Pair of bronze effect lion figures, recumbent form with carved-style manes and outstretche...

Estimate £100-150

Late 18th Century inlaid mahogany hexagonal tea caddy, W19cm

Estimate £80-120

19th century brass bound mahogany tea caddy with three compartments, twin carrying handles, with key

Estimate £100-200

19th century toleware stationary or wafer box, possibly German, with painted cover depicti...

Estimate £100-200

Georgian mahogany knife box, of serpentine form, with fitted interior, H36cm

Estimate £80-120

Victorian rosewood sewing box, of quality construction, containing a collection of mainly ...

Estimate £100-200

Bronze bust of a boy wearing a hat, upon a stepped marble base, H37cm

Offer Guide £120-160

Pair of table mirrors, H52cm

Offer Guide £50-100

Art Nouveau pewter centre piece, modelled as a female figure upon a circular base raised ...

Offer Guide £50-100

Bronze skeleton modelled as 'The Thinker', on black marble base, signed 'Milo' to plinth a...

Offer Guide £100-200

After Giambologna (Italian 1529-1608) Bronze figure of Mercury holding the caduceus on a s...

Offer Guide £150-200

What Our Customers Are Saying...

Get News & Updates

Get all our latest news and updates straight to your inbox. Sign up to receive everything you need to know about upcoming auctions, ways to sell, lots we love and much more...

Sign up