BACK

For best browsing experience use the back button to return to your place on the previous page

Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.
Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.

LOT NO 1507

STOCK NO 178358

Manner of the Vanity Fair Cartoonists (1869-1914): 'Sir James Williamson' -1st Baron Ashton, gouache indistinctly signed with monogram, titled verso 53cm x 38cm (unframed)
Notes: This appears to be a rare surviving depiction of Sir James Williamson, a famously private individual who was known for shunning formal portraits. Now referred to as 'The Lino King', Williamson took over his father's Lancaster business and built a monopoly on cheap cork linoleum. The Lune Mills factory would employ a quarter of the Lancaster population. Despite controversies regarding his peerage and the possible exploitation of his workforce, his philanthropy and patronage given towards local causes has been highly celebrated.

Sale Details


The Period Home

Location: Online & Live Broadcast from David Duggleby Auctioneers in Scarborough

Auction ends: from 11:00 on 07/08/2026

Lot Number: 1507

Approx Sale Time

11:02 - 11:22

Alert Me

Would you like to receive an alert 15 minutes before this item is sold at auction?

You must be logged in to set up alerts

Alert Me

You have set up a SMS alert for this lot, you will be messaged 15 minutes before the lot is auctioned.

Bidding Details


Estimate £200-400

Buyers Premium 25% (+VAT)

CURRENT BID £150

07/08/2026 11:02

You must be logged in to bid

https://www.davidduggleby.com/files/images/auctions/GUID/d2325e10-ed96-4a06-8495-92286a9fc887.jpg"

Further Information & Condition Report


If you require a condition report or further information on this lot, just use the ‘Ask a Question’ button below and one of our specialists will be able to help.

This gouache painting depicts 'Sir James Williamson', 1st Baron Ashton, in the style of the Vanity Fair Cartoonists (1869-1914). The artwork is indistinctly signed with a monogram and titled verso, measuring 53cm x 38cm (unframed).

This rare depiction of Sir James Williamson is notable, as he was a private figure who avoided formal portraits. Known as 'The Lino King', Williamson inherited his father's Lancaster business and established a monopoly on affordable cork linoleum. His Lune Mills factory became a significant employer in Lancaster, engaging a quarter of the local population.

Despite controversies surrounding his peerage and allegations of workforce exploitation, Sir James Williamson's philanthropic efforts and support for local causes are widely acclaimed. This artwork offers a unique insight into the life of a prominent figure in Lancaster's industrial history.

Don't miss the opportunity to acquire this historically significant piece, available at Duggleby Auctioneers.


Delivery Information


Item can be collected from our David Duggleby Salerooms, Scarborough, YO11 1XN. Delivery options available.

See more

Something like this to sell?

Similar Products

Three large prints on foamex board after Jan Rambousek and Peter Milerski

Large three piece print of an Avro Vulcan B2 XH558 plane, on three sections of foamex

After Sir Peter Paul Rubens (Flemish 1577-1640): Self Portrait of the Artist, 19th century...

Estimate £200-300

19th century porcelain plaques, believed to be Dresden, depicting 'Henriette de Bourbon Co...

Estimate £100-200

After Rembrandt van Rijn (Dutch 1606-1669): Portrait of a Bearded Man, oil on board unsign...

Estimate £50-100

English School (Early 19th century): Portrait of a Regency Gentleman, oil on canvas unsign...

Estimate £200-300

English School (Early 19th century): Portrait of a Girl in a Black Veil Reading a Book, oi...

Estimate £200-400

English School (Early 19th Century): Georgian Gentleman, portrait miniature on ivory unsig...

Estimate £80-120

Continental School (19th century): German Alpine River Landscape, large oil on canvas in m...

Estimate £100-200

Brian Edwards (British 1944-): 'Rievaulx Abbey 1', acrylic on canvas signed, titled verso ...

Estimate £100-150

Brian Edwards (British 1944-): 'Rievaulx Abbey 2', acrylic on canvas signed and dated 2018...

Estimate £100-150

Brian Edwards (British 1944-): 'Rievaulx Abbey 2', mixed media on canvas signed and dated ...

Estimate £80-120

Brian Edwards (British 1944-): 'Fountains Abbey 1', acrylic on canvas signed and titled 40...

Estimate £80-120

Brian Edwards (British 1944-): 'Fountains Abbey 2', acrylic on canvas signed, titled and d...

Estimate £80-120

Brian Edwards (British 1944-): 'Richmond Castle', acrylic on canvas signed and titled 39cm...

Estimate £100-150

Brian Edwards (British 1944-): 'Jervaulx Abbey', mixed media on canvas signed titled and d...

Estimate £80-120

Brian Edwards (British 1944-): 'Ripon Cathedral', mixed media on canvas signed titled and ...

Estimate £80-120

Austin Smith (British fl.1913-1928): Sailboats off Scarborough, pair of watercolours signe...

Estimate £50-100

Edward Nolan ARCA (British 1934-): Whitby Harbour, mixed media signed 22cm x 30cm

Estimate £50-100

Don Micklethwaite (British 1936-): Scarborough Outer Harbour, oil on board signed 22cm x 22cm

Estimate £50-100

Don Micklethwaite (British 1936-): South Bay from Scarborough Spa, oil on board signed 29cm x 37cm

Estimate £80-120

Henry Barlow Carter (British 1803-1867): 'Scarborough' and 'Bridlington', pair watercolour...

Estimate £70-100

Henry Dawson Barkas (British 1858-1924): 'Whitby - Evening', watercolour signed, titled on...

Estimate £80-120

Charles William Adderton (British 1866-1944): Waves Lapping at the Shore, watercolour sign...

Estimate £80-120

William Minshall Birchall (American 1884-1941): 'Off Dover', watercolour signed titled and...

Estimate £50-100

English School (19th century): Fishing Smack and other Shipping off the Coast, oil on boar...

Estimate £50-100

Dean Regan (Northern British 1960-): The Launching of the Robert and Mary Ellis Lifeboat a...

Estimate £100-200

Alf Whiting (British 1905-1972): 'The Dover and Ramsgate Boats Stand By', watercolour sign...

Estimate £50-100

Adrian Thompson (British 1960-): Hull Steam Trawlers Arctic Hunter H218 and St Peter H102,...

Estimate £100-200

David C Bell (British 1950-): View of Robin Hood's Bay, watercolour 37cm x 61cm

Estimate £50-100

David C Bell (British 1950-): Hull Trawler Kingston Coral H.242, watercolour signed 32.5cm x 50cm

Estimate £50-100

David C Bell (British 1950-): Hull Trawler Junella H.399, watercolour signed and dated 199...

Estimate £50-100

David C Bell (British 1950-): ‘Barges Under Repair – The Hard Pin Mill’, watercolour signe...

Estimate £50-100

David C Bell (British 1950-): ‘Low Tide – Polperro', watercolour signed and dated 1994, ti...

Estimate £50-100

David C Bell (British 1950-): Two Steam Trawlers, watercolour 27.5cm x 48cm

Estimate £50-100

Sir Charles D'Oyly (British 1781-1845): Sailboats on a Misty River Valley, watercolour sig...

Estimate £50-100

George Chambers Snr (British 1803-1840): Sailboats Bracing Rough Seas, watercolour signed ...

Estimate £200-400

Peter J Ashmore (British b.1923): 'A Fresh Breeze - Hay Barge Gets Under Way', watercolour...

Estimate £50-100

Adrian Thompson (British 1960-): Salvaliant - 1987 Semco Salvage tug boat, watercolour hei...

Estimate £50-100

William Joseph Boyes (British 1871-1919): On the River Llugwy - North Wales, watercolour s...

Estimate £50-100

William Crouch (British fl.1817-1840): River Landscape with Distant Mountain and Lush Fore...

Estimate £50-100

Attrib. James Duffield Harding (British 1798-1863): View of the East Yorkshire Coast, penc...

Estimate £50-100

Manner of Henry Edrington Hobson (British 1820-1881): Woman Gathering Kindling, gouache un...

Estimate £50-100

Clarence Henry Roe (British 1850-1909): Stag by a Highland Loch, oil on canvas signed 29cm x 44cm

Estimate £100-200

English School (19th/20th century): Figures Strolling Through Dense Forest, pair of oils o...

Estimate £50-100

Abraham Hulk Jnr. (British 1844-1922): 'On the Mole - Surrey', oil on canvas signed, title...

Estimate £100-200

John Sanderson Wells (British 1872-1955): Upland Landscape, watercolour signed 32cm x 46cm

Estimate £50-100

Arthur Wardle (British 1864-1949): Lioness, pastel, signed with initals 20.5cm x 28.5cm

Estimate £100-200

Arthur W Newsholme (Yorkshire 1859-?): 'Ripley Mill', oil on board signed, titled verso 20cm x 23cm

Estimate £50-100

Percy Hague Jowett (British 1882-1955): Bouquet of Flowers on a Stack of Books, watercolou...

Estimate £50-100

What Our Customers Are Saying...

Get News & Updates

Get all our latest news and updates straight to your inbox. Sign up to receive everything you need to know about upcoming auctions, ways to sell, lots we love and much more...

Sign up