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After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)
After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)

LOT NO 4102

STOCK NO 189389

After Lilian Westcott Hale (American 1880-1963): Listening to the Sea; after Cornelis Springer (Dutch 1817-1891): Haarlem Street Scene; after Flemish School (18th century): Still Life of Fruit and Flowers, three oils on board one indistinctly signed, in gilt frames max 24cm x 19cm (3)

Sale Details

Affordable Art

Location: Online Automated Auction (Timed)

Auction ends: from 15:00 on 12/11/2026

Lot Number: 4102

Approx Sale Time

15:34 - 15:36

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Bidding Details

Estimate £50-100

Buyers Premium 25% (+VAT)

CURRENT BID £35

12/11/2026 15:34

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Further Information & Condition Report

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Three framed oil paintings after Lilian Westcott Hale, Cornelis Springer and the 18th-century Flemish School, comprising *Listening to the Sea*, *Haarlem Street Scene* and a still life of fruit and flowers. One is indistinctly signed. Each is an oil on board in a gilt frame, with maximum dimensions of 24 × 19cm. Search for these three small framed paintings for sale at auction with Duggleby Auctioneers.


Delivery Information

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