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Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.
Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'. Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.

LOT NO 155

STOCK NO 190398

Arthur Wardle (British 1864-1949): 'A Comforting Friend, oil on canvas signed 50cm x 60cm
Provenance: private Oxfordshire collection, purchased Christie's London, 'The Forbes Collection of Victorian Pictures and Works of Art', 19th February 2003 Lot 264; Christie's London, 11th June 1993 Lot 278. Exh. The Mint Museum of Art, North Carolina, 15th January - 2nd April 2000; Cheekwood Museum of Art, Tennessee, 12th May - 6th August 2000; Delaware Art Museum, Delaware, 7th September 2000 - 7th January 201; Tampa Art Museum, Florida, 27th January - 22nd April 2001; FORBES Magazine Galleries, New York, 1st May - 30th June 2001; possibly exh. Royal Academy, London 1892, no. 767, as 'Parted'.
Notes: The bond between dogs and their masters was often treated by Victorian artists, and the picture-loving public responded warmly to paintings, such as Landseer's The Old Shepherd's Chief Mourner and Briton Riviere's Sympathy, each of which were disseminated widely through engravings. Wardle was of a subsequent generation, but like Landseer and Riviere before him he sought to accurately portray the feelings of animals without falling into the trap of giving them human expressions. In the face of the Jack Russell in this picture, he succeeds admirably.

Sale Details

Fine Paintings

Location: Online & Live Broadcast from David Duggleby Auctioneers in Scarborough

Auction ends: from 11:00 on 04/12/2026

Lot Number: 155

Approx Sale Time

12:32 - 12:52

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Bidding Details

Estimate £3,000-5,000

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CURRENT BID £2,200

04/12/2026 12:32

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Further Information & Condition Report

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Arthur Wardle oil painting, *A Comforting Friend*, is a signed 50 x 60cm canvas depicting a Jack Russell terrier. Wardle (British, 1864–1949) was known for his sensitive portrayals of animals; here, the dog’s expression conveys feeling without becoming anthropomorphic.

The painting comes from a private Oxfordshire collection and was purchased at Christie’s London, *The Forbes Collection of Victorian Pictures and Works of Art*, 19 February 2003, lot 264. It was previously offered at Christie’s London on 11 June 1993, lot 278. The work was exhibited at the Mint Museum of Art, North Carolina; Cheekwood Museum of Art, Tennessee; Delaware Art Museum; Tampa Art Museum; and Forbes Magazine Galleries, New York, between 2000 and 2001. It may also have been exhibited at the Royal Academy, London, in 1892 as *Parted*. This Arthur Wardle painting is offered for sale at auction with Duggleby Auctioneers.


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