Among the most moving items to appear in our forthcoming Militaria, Medals and Sporting Guns auction is a framed watercolour titled Two Little Bits of Fluff, painted by Cecil Arthur Tooke, a member of the Royal Naval Volunteer Reserve, during his imprisonment at Döberitz prisoner of war camp in the early years of the First World War. Accompanied by an original issue of the Döberitz camp magazine containing drawings by Tooke, the group offers a rare and personal insight into life behind the wire.

Cecil Tooke & The 'Wavy Navy'

Born in Chelsea in 1880, Cecil Tooke was an illustrator and watermarking artist by profession and an early member of the RNVR, often referred to as the ‘Wavy Navy’. Although he had stepped back from naval duties shortly before the outbreak of war, he was recalled in August 1914 and joined Hawke Battalion of the Royal Naval Division. To ensure his acceptance, Tooke understated his age on enlistment, a small deception that soon led him into the heart of the conflict.

Deployed to Antwerp as a dispatch rider, Tooke was captured in October 1914 and sent to Döberitz, a large prisoner of war camp outside Berlin. It was there that his artistic abilities found a new and unexpected purpose.

Creativity Behind the Wire

Like many British prisoners at Döberitz, Tooke became involved in the intellectual and cultural life that developed within the camp. Prisoners established lectures, concerts, sporting activities and, notably, a camp magazine produced by and for the inmates. This publication covered everything from sporting fixtures and theatre performances to humour, correspondence and practical notices, providing distraction, structure and morale in otherwise difficult circumstances.

Tooke contributed illustrations and cartoons to the camp magazine, providing moments of humour and familiarity for fellow prisoners. Alongside this work, he also produced independent watercolours, including Two Little Bits of Fluff, a piece whose lightness of touch stands in poignant contrast to the realities of captivity. Together, these works were more than simple decoration; they formed part of a wider effort to preserve dignity, morale and a sense of shared community within the camp.

Subtle Defiance and Notoriety

Tooke’s time at Döberitz was marked not only by artistic productivity but also by quiet acts of resistance. He famously designed a coat of arms for the camp that appeared, at first glance, to celebrate life under German custody. In reality, its imagery contained veiled references to hardship and punishment, meanings that went unnoticed by the camp authorities for many months. The design was widely reproduced, sold to raise funds for prisoners and even adapted into jewellery by Berlin firms, before its true significance was eventually recognised and its destruction ordered.

Alongside these symbolic acts, Tooke is known to have sent coded messages to family members in Britain, discreetly conveying information of military value. Such activities undoubtedly placed him at personal risk and later contributed to official recognition of his service.
The watercolour and magazine offered in this sale are rare survivals of this extraordinary period. They speak to the experience of captivity, the resilience and quiet courage of those who endured it. Works such as these remind us that the history of war is not solely told through weapons and medals, but also through creativity, humour and human connection.

This poignant group is offered as part of our Militaria, Medals and Sporting Guns auction, providing collectors with a unique opportunity to acquire an artefact that bridges art, military history and personal narrative. Bidding is now open.

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