Lot Number : 1036

  • George Engleheart (British 1750-1829)
Portrait miniature upon ivory
Head and shoulder portrait of a member of the Murray family, wearing scarlet coat with white collar, lapels and cravat 
Within period gold frame with hair work verso, also bearing exhibition label inscribed 'ENGLEHEART EXN. No. 365 Lent by M. R. Margesson' 
Oval 7.5cm x 6cm

Provenance 
Sir M. R. Margesson (in 1929).
S. H. V. Hickson.
Christie's London, Miniatures, October 1998, Lot 107 

Exhibited 
Victoria and Albert Museum London, The Miniatures of George Engleheart, J. C. D. Engleheart and Thomas Richmond, 1929, no. 365.

Literature
D Foskett, A Dictionary of British Portrait Miniatures 1872, illustrated colour plate 24 no.83

George Engleheart studied at the Royal Academy Schools from 1769 under Sir Joshua Reynolds and George Barret, and regularly exhibited work at the Royal Academy between the years 1773 and 1822. 
He was appointed as Miniature Painter to King George III and is known to have painted at least twenty five portraits of the King, as well as a number of others depicting various members of the Royal family. 
Engleheart is known for his decorative style and flattering depictions, an approach which saw him gain an excellent reputation with sitters.
Today he is widely regarded as one of the most eminent portrait miniaturists of the late Georgian period.
  • George Engleheart (British 1750-1829)
Portrait miniature upon ivory
Head and shoulder portrait of a member of the Murray family, wearing scarlet coat with white collar, lapels and cravat 
Within period gold frame with hair work verso, also bearing exhibition label inscribed 'ENGLEHEART EXN. No. 365 Lent by M. R. Margesson' 
Oval 7.5cm x 6cm

Provenance 
Sir M. R. Margesson (in 1929).
S. H. V. Hickson.
Christie's London, Miniatures, October 1998, Lot 107 

Exhibited 
Victoria and Albert Museum London, The Miniatures of George Engleheart, J. C. D. Engleheart and Thomas Richmond, 1929, no. 365.

Literature
D Foskett, A Dictionary of British Portrait Miniatures 1872, illustrated colour plate 24 no.83

George Engleheart studied at the Royal Academy Schools from 1769 under Sir Joshua Reynolds and George Barret, and regularly exhibited work at the Royal Academy between the years 1773 and 1822. 
He was appointed as Miniature Painter to King George III and is known to have painted at least twenty five portraits of the King, as well as a number of others depicting various members of the Royal family. 
Engleheart is known for his decorative style and flattering depictions, an approach which saw him gain an excellent reputation with sitters.
Today he is widely regarded as one of the most eminent portrait miniaturists of the late Georgian period.
  • George Engleheart (British 1750-1829)
Portrait miniature upon ivory
Head and shoulder portrait of a member of the Murray family, wearing scarlet coat with white collar, lapels and cravat 
Within period gold frame with hair work verso, also bearing exhibition label inscribed 'ENGLEHEART EXN. No. 365 Lent by M. R. Margesson' 
Oval 7.5cm x 6cm

Provenance 
Sir M. R. Margesson (in 1929).
S. H. V. Hickson.
Christie's London, Miniatures, October 1998, Lot 107 

Exhibited 
Victoria and Albert Museum London, The Miniatures of George Engleheart, J. C. D. Engleheart and Thomas Richmond, 1929, no. 365.

Literature
D Foskett, A Dictionary of British Portrait Miniatures 1872, illustrated colour plate 24 no.83

George Engleheart studied at the Royal Academy Schools from 1769 under Sir Joshua Reynolds and George Barret, and regularly exhibited work at the Royal Academy between the years 1773 and 1822. 
He was appointed as Miniature Painter to King George III and is known to have painted at least twenty five portraits of the King, as well as a number of others depicting various members of the Royal family. 
Engleheart is known for his decorative style and flattering depictions, an approach which saw him gain an excellent reputation with sitters.
Today he is widely regarded as one of the most eminent portrait miniaturists of the late Georgian period.
  • George Engleheart (British 1750-1829)
Portrait miniature upon ivory
Head and shoulder portrait of a member of the Murray family, wearing scarlet coat with white collar, lapels and cravat 
Within period gold frame with hair work verso, also bearing exhibition label inscribed 'ENGLEHEART EXN. No. 365 Lent by M. R. Margesson' 
Oval 7.5cm x 6cm

Provenance 
Sir M. R. Margesson (in 1929).
S. H. V. Hickson.
Christie's London, Miniatures, October 1998, Lot 107 

Exhibited 
Victoria and Albert Museum London, The Miniatures of George Engleheart, J. C. D. Engleheart and Thomas Richmond, 1929, no. 365.

Literature
D Foskett, A Dictionary of British Portrait Miniatures 1872, illustrated colour plate 24 no.83

George Engleheart studied at the Royal Academy Schools from 1769 under Sir Joshua Reynolds and George Barret, and regularly exhibited work at the Royal Academy between the years 1773 and 1822. 
He was appointed as Miniature Painter to King George III and is known to have painted at least twenty five portraits of the King, as well as a number of others depicting various members of the Royal family. 
Engleheart is known for his decorative style and flattering depictions, an approach which saw him gain an excellent reputation with sitters.
Today he is widely regarded as one of the most eminent portrait miniaturists of the late Georgian period.
  • George Engleheart (British 1750-1829)
Portrait miniature upon ivory
Head and shoulder portrait of a member of the Murray family, wearing scarlet coat with white collar, lapels and cravat 
Within period gold frame with hair work verso, also bearing exhibition label inscribed 'ENGLEHEART EXN. No. 365 Lent by M. R. Margesson' 
Oval 7.5cm x 6cm

Provenance 
Sir M. R. Margesson (in 1929).
S. H. V. Hickson.
Christie's London, Miniatures, October 1998, Lot 107 

Exhibited 
Victoria and Albert Museum London, The Miniatures of George Engleheart, J. C. D. Engleheart and Thomas Richmond, 1929, no. 365.

Literature
D Foskett, A Dictionary of British Portrait Miniatures 1872, illustrated colour plate 24 no.83

George Engleheart studied at the Royal Academy Schools from 1769 under Sir Joshua Reynolds and George Barret, and regularly exhibited work at the Royal Academy between the years 1773 and 1822. 
He was appointed as Miniature Painter to King George III and is known to have painted at least twenty five portraits of the King, as well as a number of others depicting various members of the Royal family. 
Engleheart is known for his decorative style and flattering depictions, an approach which saw him gain an excellent reputation with sitters.
Today he is widely regarded as one of the most eminent portrait miniaturists of the late Georgian period.
  • George Engleheart (British 1750-1829)
Portrait miniature upon ivory
Head and shoulder portrait of a member of the Murray family, wearing scarlet coat with white collar, lapels and cravat 
Within period gold frame with hair work verso, also bearing exhibition label inscribed 'ENGLEHEART EXN. No. 365 Lent by M. R. Margesson' 
Oval 7.5cm x 6cm

Provenance 
Sir M. R. Margesson (in 1929).
S. H. V. Hickson.
Christie's London, Miniatures, October 1998, Lot 107 

Exhibited 
Victoria and Albert Museum London, The Miniatures of George Engleheart, J. C. D. Engleheart and Thomas Richmond, 1929, no. 365.

Literature
D Foskett, A Dictionary of British Portrait Miniatures 1872, illustrated colour plate 24 no.83

George Engleheart studied at the Royal Academy Schools from 1769 under Sir Joshua Reynolds and George Barret, and regularly exhibited work at the Royal Academy between the years 1773 and 1822. 
He was appointed as Miniature Painter to King George III and is known to have painted at least twenty five portraits of the King, as well as a number of others depicting various members of the Royal family. 
Engleheart is known for his decorative style and flattering depictions, an approach which saw him gain an excellent reputation with sitters.
Today he is widely regarded as one of the most eminent portrait miniaturists of the late Georgian period.
  • George Engleheart (British 1750-1829)
Portrait miniature upon ivory
Head and shoulder portrait of a member of the Murray family, wearing scarlet coat with white collar, lapels and cravat 
Within period gold frame with hair work verso, also bearing exhibition label inscribed 'ENGLEHEART EXN. No. 365 Lent by M. R. Margesson' 
Oval 7.5cm x 6cm

Provenance 
Sir M. R. Margesson (in 1929).
S. H. V. Hickson.
Christie's London, Miniatures, October 1998, Lot 107 

Exhibited 
Victoria and Albert Museum London, The Miniatures of George Engleheart, J. C. D. Engleheart and Thomas Richmond, 1929, no. 365.

Literature
D Foskett, A Dictionary of British Portrait Miniatures 1872, illustrated colour plate 24 no.83

George Engleheart studied at the Royal Academy Schools from 1769 under Sir Joshua Reynolds and George Barret, and regularly exhibited work at the Royal Academy between the years 1773 and 1822. 
He was appointed as Miniature Painter to King George III and is known to have painted at least twenty five portraits of the King, as well as a number of others depicting various members of the Royal family. 
Engleheart is known for his decorative style and flattering depictions, an approach which saw him gain an excellent reputation with sitters.
Today he is widely regarded as one of the most eminent portrait miniaturists of the late Georgian period.
  • George Engleheart (British 1750-1829)
Portrait miniature upon ivory
Head and shoulder portrait of a member of the Murray family, wearing scarlet coat with white collar, lapels and cravat 
Within period gold frame with hair work verso, also bearing exhibition label inscribed 'ENGLEHEART EXN. No. 365 Lent by M. R. Margesson' 
Oval 7.5cm x 6cm

Provenance 
Sir M. R. Margesson (in 1929).
S. H. V. Hickson.
Christie's London, Miniatures, October 1998, Lot 107 

Exhibited 
Victoria and Albert Museum London, The Miniatures of George Engleheart, J. C. D. Engleheart and Thomas Richmond, 1929, no. 365.

Literature
D Foskett, A Dictionary of British Portrait Miniatures 1872, illustrated colour plate 24 no.83

George Engleheart studied at the Royal Academy Schools from 1769 under Sir Joshua Reynolds and George Barret, and regularly exhibited work at the Royal Academy between the years 1773 and 1822. 
He was appointed as Miniature Painter to King George III and is known to have painted at least twenty five portraits of the King, as well as a number of others depicting various members of the Royal family. 
Engleheart is known for his decorative style and flattering depictions, an approach which saw him gain an excellent reputation with sitters.
Today he is widely regarded as one of the most eminent portrait miniaturists of the late Georgian period.

Description: George Engleheart (British 1750-1829)
Portrait miniature upon ivory
Head and shoulder portrait of a member of the Murray family, wearing scarlet coat with white collar, lapels and cravat
Within period gold frame with hair work verso, also bearing exhibition label inscribed 'ENGLEHEART EXN. No. 365 Lent by M. R. Margesson'
Oval 7.5cm x 6cm

Provenance
Sir M. R. Margesson (in 1929).
S. H. V. Hickson.
Christie's London, Miniatures, October 1998, Lot 107

Exhibited
Victoria and Albert Museum London, The Miniatures of George Engleheart, J. C. D. Engleheart and Thomas Richmond, 1929, no. 365.

Literature
D Foskett, A Dictionary of British Portrait Miniatures 1872, illustrated colour plate 24 no.83

George Engleheart studied at the Royal Academy Schools from 1769 under Sir Joshua Reynolds and George Barret, and regularly exhibited work at the Royal Academy between the years 1773 and 1822.
He was appointed as Miniature Painter to King George III and is known to have painted at least twenty five portraits of the King, as well as a number of others depicting various members of the Royal family.
Engleheart is known for his decorative style and flattering depictions, an approach which saw him gain an excellent reputation with sitters.
Today he is widely regarded as one of the most eminent portrait miniaturists of the late Georgian period.








Condition Report:

Overall the miniature is in very good condition. Towards the lower left of the miniature, at the edge of the frame there is what appears to be a small insect beneath the glass, although it may just be a small piece of debris. Under a 10x loupe there is some very slight craquelure to the red coat, just left of the lapel on the left hand side. There is also very small paint flake to the sky to the right of the sitters head, but this does not appear to be as a result of any flaking to the miniature itself, and was most likely done at the time the piece was painted. The frame has some surface scratches, as does the glass, commensurate with age, but neither are by any means heavily damaged, and the hairwork verso is in good overall condition also.

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SOLD £2400


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Collection
Collect from The Vine Street Salerooms, Scarborough YO11 1XN.

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