Lot Number : 1007

  • An early 19th century longcase clock, retailed by  “Thomas Mills, Berkley”, the oak case with mahogany banding, swan’s neck pediment, brass paterae and central brass finial, with shaped backsplats and a stepped break arch hood door flanked by two pillars with brass capitals, trunk with a long break arch topped door on a rectangular plinth with a raised panel and shaped skirting, a twelve-inch wide painted dial with a depiction of flowers to the arch and corresponding floral images to the spandrels, with Roman numerals and quarter hour Arabic’s, minute track and matching steel hands, with winding collets, subsidiary seconds dial and semi-circular date aperture with calendar disc behind, dial pinned via a Walker and Finmore cast iron false plate to a four pillar, eight-day rack striking weight driven movement with a recoil anchor escapement, striking the hours on a cast bell, with key, weights and pendulum.
  • An early 19th century longcase clock, retailed by  “Thomas Mills, Berkley”, the oak case with mahogany banding, swan’s neck pediment, brass paterae and central brass finial, with shaped backsplats and a stepped break arch hood door flanked by two pillars with brass capitals, trunk with a long break arch topped door on a rectangular plinth with a raised panel and shaped skirting, a twelve-inch wide painted dial with a depiction of flowers to the arch and corresponding floral images to the spandrels, with Roman numerals and quarter hour Arabic’s, minute track and matching steel hands, with winding collets, subsidiary seconds dial and semi-circular date aperture with calendar disc behind, dial pinned via a Walker and Finmore cast iron false plate to a four pillar, eight-day rack striking weight driven movement with a recoil anchor escapement, striking the hours on a cast bell, with key, weights and pendulum.
  • An early 19th century longcase clock, retailed by  “Thomas Mills, Berkley”, the oak case with mahogany banding, swan’s neck pediment, brass paterae and central brass finial, with shaped backsplats and a stepped break arch hood door flanked by two pillars with brass capitals, trunk with a long break arch topped door on a rectangular plinth with a raised panel and shaped skirting, a twelve-inch wide painted dial with a depiction of flowers to the arch and corresponding floral images to the spandrels, with Roman numerals and quarter hour Arabic’s, minute track and matching steel hands, with winding collets, subsidiary seconds dial and semi-circular date aperture with calendar disc behind, dial pinned via a Walker and Finmore cast iron false plate to a four pillar, eight-day rack striking weight driven movement with a recoil anchor escapement, striking the hours on a cast bell, with key, weights and pendulum.
  • An early 19th century longcase clock, retailed by  “Thomas Mills, Berkley”, the oak case with mahogany banding, swan’s neck pediment, brass paterae and central brass finial, with shaped backsplats and a stepped break arch hood door flanked by two pillars with brass capitals, trunk with a long break arch topped door on a rectangular plinth with a raised panel and shaped skirting, a twelve-inch wide painted dial with a depiction of flowers to the arch and corresponding floral images to the spandrels, with Roman numerals and quarter hour Arabic’s, minute track and matching steel hands, with winding collets, subsidiary seconds dial and semi-circular date aperture with calendar disc behind, dial pinned via a Walker and Finmore cast iron false plate to a four pillar, eight-day rack striking weight driven movement with a recoil anchor escapement, striking the hours on a cast bell, with key, weights and pendulum.
  • An early 19th century longcase clock, retailed by  “Thomas Mills, Berkley”, the oak case with mahogany banding, swan’s neck pediment, brass paterae and central brass finial, with shaped backsplats and a stepped break arch hood door flanked by two pillars with brass capitals, trunk with a long break arch topped door on a rectangular plinth with a raised panel and shaped skirting, a twelve-inch wide painted dial with a depiction of flowers to the arch and corresponding floral images to the spandrels, with Roman numerals and quarter hour Arabic’s, minute track and matching steel hands, with winding collets, subsidiary seconds dial and semi-circular date aperture with calendar disc behind, dial pinned via a Walker and Finmore cast iron false plate to a four pillar, eight-day rack striking weight driven movement with a recoil anchor escapement, striking the hours on a cast bell, with key, weights and pendulum.
  • An early 19th century longcase clock, retailed by  “Thomas Mills, Berkley”, the oak case with mahogany banding, swan’s neck pediment, brass paterae and central brass finial, with shaped backsplats and a stepped break arch hood door flanked by two pillars with brass capitals, trunk with a long break arch topped door on a rectangular plinth with a raised panel and shaped skirting, a twelve-inch wide painted dial with a depiction of flowers to the arch and corresponding floral images to the spandrels, with Roman numerals and quarter hour Arabic’s, minute track and matching steel hands, with winding collets, subsidiary seconds dial and semi-circular date aperture with calendar disc behind, dial pinned via a Walker and Finmore cast iron false plate to a four pillar, eight-day rack striking weight driven movement with a recoil anchor escapement, striking the hours on a cast bell, with key, weights and pendulum.
  • An early 19th century longcase clock, retailed by  “Thomas Mills, Berkley”, the oak case with mahogany banding, swan’s neck pediment, brass paterae and central brass finial, with shaped backsplats and a stepped break arch hood door flanked by two pillars with brass capitals, trunk with a long break arch topped door on a rectangular plinth with a raised panel and shaped skirting, a twelve-inch wide painted dial with a depiction of flowers to the arch and corresponding floral images to the spandrels, with Roman numerals and quarter hour Arabic’s, minute track and matching steel hands, with winding collets, subsidiary seconds dial and semi-circular date aperture with calendar disc behind, dial pinned via a Walker and Finmore cast iron false plate to a four pillar, eight-day rack striking weight driven movement with a recoil anchor escapement, striking the hours on a cast bell, with key, weights and pendulum.

Description: An early 19th century longcase clock, retailed by “Thomas Mills, Berkley”, the oak case with mahogany banding, swan’s neck pediment, brass paterae and central brass finial, with shaped backsplats and a stepped break arch hood door flanked by two pillars with brass capitals, trunk with a long break arch topped door on a rectangular plinth with a raised panel and shaped skirting, a twelve-inch wide painted dial with a depiction of flowers to the arch and corresponding floral images to the spandrels, with Roman numerals and quarter hour Arabic’s, minute track and matching steel hands, with winding collets, subsidiary seconds dial and semi-circular date aperture with calendar disc behind, dial pinned via a Walker and Finmore cast iron false plate to a four pillar, eight-day rack striking weight driven movement with a recoil anchor escapement, striking the hours on a cast bell, with key, weights and pendulum.

Dimensions:
Height: 206cm  Length/Width: 49cm  Depth/Diameter: 23cm

Condition Grade: 
1 - Excellent: A lot in excellent condition with no damage (this item could be used or new).
2 - Good: A lot in good condition, possibly with slight wear commensurate with age or minor restoration.
3 - Fair/Good: A lot in fairly good condition but possibly with some wear, damage or restoration.
4 - Fair: A lot likely in need of some restoration or not in working order.
5 - Poor: A lot with heavy wear or damage and not fit for purpose, in need of full restoration or to be broken for parts.
0 - N/A:
2 - Good: A lot in good condition, possibly with slight wear commensurate with age or minor restoration.

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SOLD £225


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Collection
Collect from The Vine Street Salerooms, Scarborough YO11 1XN.

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